Among my varied interests, sewing my own garments
for living history events or Civil War reenactments has proven challenging and
rewarding. It is not just creating a garment that looks similar to that worn in
the distant past. To honor history, it is necessary to study originals,
research historically acute patterns and fabrics, duplicate the construction
methods and recreate a fit that is as close to authentic as possible. Those who
eschew authenticity are considered FARBS.
To those who aspire to authenticity, a FARB sends the wrong message to
those who attend reenactments or living history villages because visitors
believe what they see is what was.
My husband has been a student of mid 19th
Century costume and material culture for more than 30 years. He is a talented
tailor who has reproduced exact replicas of several federal and Confederate
military uniforms – all hand sewn. As one who came to this hobby in my late
40’s, I’ve been blessed to have his experience, resources, and 19th
Century eye to help me. Learning to recreate historically correct clothing and
accessories is a journey. It is not possible to start out with all of the
needed knowledge and wardrobe. My own progress has, because of my excellent
resources, developed quickly.
That being said, for our current roles as sutlers,
or vendors of merchandise at re-enactments, I am embracing Farby Civil War era
cross dressing to enable me to portray a wet plate photographer in much greater
comfort for some future events. When I portray a Civil War era woman, it is
necessary to don multiple layers of personal linens including a corset,
petticoats, drawers, chemise, cage crinoline, a jewel neck long sleeved dress,
white collar and under sleeves or cuffs, over the knee cotton stockings, ankle
boots, a mousy brown long haired wig to disguise my 21st Century
fire red hair, and a bonnet. I can assure you that it is not all that
comfortable in 90- degree temperatures. It is even less pleasant while using a
traveling dark room in a tent with the fumes of ether wafting in the enclosed
space.
So, I am in the process of sewing a pair of mid 19th
Century black linen men’s Classic Plain-Cut Summer Trousers using Sandra
Altman’s Past Patterns template 014. While much of the construction can be sewn
using a machine, as sewing machines were readily available at the time, the
finishing must be done by hand – including the buttonholes on the button fly
front. (And….I’ve never embraced even button fly jeans because they are
cumbersome and not friendly for manicured nails) Todd located a shirt of the
appropriate size that he’d hand sewn years ago and never wore. He also had a
linen vest cut but never sewn that I will soon be re-working to fit me. All I’ll need to buy….a newsboy’s cap from
Dirty Billy – on a future trip to Gettysburg.
My only concern….being featured in one of Joey
Gee’s showcase pictorials on Facebook titled: Return to the Plant of the Farb,
Part Deux!
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